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counterpoint
J. S. Bach: Sarabande (B minor orchestral suite, BWV 1067, #3)
BSG
3:15 Est. Play
Time
34 Measures
1,126Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute,
Vln
1		 Treble 18 0 6 7 100%
Violin Treble 18 0 6 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute,
Vln
1		 Treble 18 0 6 7 100%
Violin Treble 18 0 6 7 100%
Violin
2		 Treble 18 0 5 6 97%
Contrabass Bass 18 0 5 5 94%
Vcl/Continuo Bass 18 0 5 5 94%
Viola 17 0 5 6 94%
Harpsichord Treble 21 18 7 12 44%
Bass 18 0 5 5 92%
 
J. S. Bach: Dona nobis pacem (BWV 232 final mvt)
BSG
3:12 Est. Play
Time
46 Measures
2,802Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
1		 Treble 12 0 2 4 98%
Treble 14 0 3 5 93%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
1		 Treble 12 0 2 4 98%
Treble 14 0 3 5 93%
Bass 22 1 6 5 100%
15 0 3 5 100%
CtoR Treble 17 45 4 7 100%
Bass 18 0 5 6 100%
Tenor Treble 15 0 3 5 100%
Alto Treble 12 0 2 4 98%
Continuo Bass 20 1 6 5 98%
Contrabass Bass 20 1 6 5 98%
Bass Bass 19 0 6 5 93%
Flute Treble 14 0 3 5 93%
Soprano Treble 14 0 3 5 93%
Oboe Treble 18 34 5 6 82%
Trombe
1
amp;amp;
2		 Treble 11 0 1 5 51%
Timpani Bass 2 0 0 5 22%
Tromba
3		 Treble 11 0 1 5 22%
 
F. Couperin: Troisième Leçon pour Mercredy Sainct à deux voix
BSG
2:51 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pan
Flute		 Treble 17 26 4 5 100%
Violoncello Bass 20 0 4 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pan
Flute		 Treble 17 26 4 5 100%
Violoncello Bass 20 0 4 5 100%
Soprano Treble 13 0 2 10 95%
Treble 13 0 2 10 93%
 
J.S. Bach: Duetto: Gott, du hast es wohl gefüget (BWV 63, #3)
BSG
3:10 Est. Play
Time
44 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 7 3 100%
Realization Treble 20 57 8 8 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 7 3 100%
Realization Treble 20 57 8 8 100%
Oboe Treble 20 0 8 9 74%
Bass Bass 15 0 3 5 67%
Soprano Treble 17 0 6 7 64%
 
J.S. Bach: Chorale: Es woll uns Gott genädig sein (BWV 76, #7)
BSG
2:43 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 17 0 4 6 100%
Treble 16 0 6 4 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 17 0 4 6 100%
Treble 16 0 6 4 100%
Realization Treble 16 46 5 7 100%
Tromba Treble 11 0 1 5 100%
Viola 18 0 6 6 100%
Continuo Bass 25 0 8 4 92%
Violoncello Bass 25 0 8 4 92%
Alto Treble 14 0 4 5 81%
Bass Bass 16 0 4 4 81%
Soprano Treble 11 0 1 4 81%
Tenor Treble 15 0 5 6 81%
 
Baroque Variations in C Major
Vextrove
2:12 Est. Play
Time
72 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Bass		 Bass 35 20 12 2 100%
Piano,
MELODY		 Treble 29 42 12 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Bass		 Bass 35 20 12 2 100%
Piano,
MELODY		 Treble 29 42 12 2 100%
 
Be Thou My Vision Small Orchestra
Threespot@aol.com
2:33 Est. Play
Time
102 Measures
1,214Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Piano		 Treble 20 40 4 6 46%
Bass 15 18 1 5 55%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Piano		 Treble 20 40 4 6 46%
Bass 15 18 1 5 55%
Strings,
String
Ensemble
Hard		 Bass 19 9 1 7 92%
Oboe,
Oboe		 Treble 10 0 0 9 60%
Timpani,
Timpani		 Bass 15 0 2 6 56%
B♭
Clarinet		 Treble 14 0 1 7 51%
Horn
in
F		 Treble 13 0 1 7 51%
Violins,
String
Ensemble		 Treble 14 0 0 4 22%
Treble 10 0 0 9 46%
Flute Treble 14 0 0 7 30%
Violoncellos,
String
Ensemble		 Bass 18 21 2 4 23%
 
Sarabande for Harpsichord (Opus 61)
schoutens
2:37 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 30 2 10 8 100%
Bass 27 11 9 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 30 2 10 8 100%
Bass 27 11 9 7 100%
 
Prelude and Fughetta
Templetown
2:53 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 11 9 9 99%
Bass 24 23 9 8 84%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 11 9 9 99%
Bass 24 23 9 8 84%